Links With Cambridge Recordings
www.adampounds.co.uk |
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www.stevebingham.co.uk The Bingham String Quartet has gained an international reputation for its interpretation of the classical repertoire and fresh and exciting approach to new music. It has toured extensively in the United Kingdom and also performed in Europe, Australia, and the Middle East. Regular appearances in London include concerts at the Purcell Room and St Martin in the Fields. |
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www.agsm.org.uk The Academy of Great St. Mary’s (formerly the Orchestra of Great St. Mary’s) was formed in 2007 and has already gained a reputation for its excellent and diverse performances. Drawing from the local community of Cambridge and further afield it has tackled a very varied repertoire that has included works from the Baroque to the 21st century. |
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www.thelarksascending.co.uk Is a British solo-voice ensemble conducted byaSamuel Hayes, specializing in new music by British composers and the composers who influenced them – such as Parry (who wrote the music for “Jerusalem” and “I was Glad”), Britten and Vaughan Williams (who wrote the piece which gave us our name). The members of The Larks Ascending are committed to making music for the widest possible audience, and to present it in a way that is informed, enthused and exciting. |
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www.gsm.cam.ac.uk Great St. Mary’s is the University Church situated in the heart of the city of Cambridge. It is known for its high standard of music and is the home of the orchestra and choir of the ‘Academy of Great St. Mary’s’. They currently provide performances of varied and enjoyable music conducted by their music director Sam Hayes. |
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www.lennoxberkeley.org.uk The Lennox Berkeley Society exists to promote the music of this seminal English composer. Adam serves on the committee and has been pleased to be involved with the work of this organisation. In 2008 he organized and promoted ‘Lennox Berkeley and Friends’ a festival in Cambridge that also included music of Berkeley’s contemporaries. |
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www.geraldfinzi.org is the official trust of Gerald Finzi - 20th century English composer, renowned for inspired, flexible Thomas Hardy verse settings and lyrical instrumental style. Lover of reading, collector of books, conservationist - whether of 18th century music or apples: scholar, aesthete, stalwart citizen - directing amateur music-making, hosting war evacuees. Cherished husband of Joy, artist and poet. |
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www.howellstrust.org.uk Following the death in October 2005 of Herbert Howells' daughter, Ursula, and in accordance with her wishes, the Herbert Howells Trust has been set up to be administered by St John's College, Cambridge where Howells was Organist during the Second World War. The Trust, which will consult the Herbert Howells Society, exists to promote Howells' works, by supporting performances, research, publications, recordings, archives at the Royal College of Music and other means |
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www.mbho.de MBHO has been established in Obrigheim since 1962. The development and manufacture of high quality microphones was and is the essential motivation of all people associated with MBHO. 95 % of each product is actually handmade. |
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www.atc.gb.net ATC, Acoustic Transducer Company, is a specialist British company which designs and manufactures loudspeaker drive units and systems to achieve levels of performance far in excess of the industry norm. This is achieved by adopting a thoroughly professional engineering approach to the issue of basic design, materials science and production technology. |
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www.motu.com MOTU is a leading developer of computer-based audio and video production hardware and software. MOTU was founded in 1980 and has been developing audio, video and music technology products since 1984. MOTU is based in Cambridge, Massachusetts, just across the Charles River from Boston. |
We are happy to license recordings from our back catalogue for commercial, semi commercial or educational use. We will take applications for charitable purposes but there will be a nominal charge made to cover documentation If the music is still in copyright the licensee will need to contact the publisher for permission and pay any fees requested to Performers and Artists when synchronisation rights are being requested. Please see the CONTACT page for contact information.





